With regards to the currenty held views, pine nuts as the breasts of the many-breasted goddess take precedence because of the much, much wider distribution of the pine tree, and her crown being identified as the Magnesian gates may be overturned (since this is probably far too generic) in favor of the crown being an aqueduct. In accordance with her identification with the pine is the theme that the pine can be expected to be perhaps the most plentiful source of morning dew for drinking water, owing to its color, its cool and waxy texture, and its fine division which may drastically increase the surface area available for water to condense on. Thus, since she "is" a pine, its needles "are" her hair, and her hair gives forth pure life-giving water from a nurturing Goddess of water and purity; she is crowned with an aquaduct.
Further variations of these methods could be added to the arsenal of water purification and accumulation methods presented by Rex Research and Waves Forest .
Suffice it to say that contemplation of areas such as this unlock resourcefulness and creativity, and help dispel myths of scarcity
and overpopulation, allowing the spiritual regard for the sanctity of life to be expressed in reality.
Ancient Greek spoons shown at left, featuring spirals and even possibly atomic designs. Were they once "enchanted" electromagnetically so that they would remove or neutralize any contaminants in food or water they were being used with?
Do the spiral traces promote this effect- perhaps a superconductor-driven phase transition? Just like spiral grooves, painted spiral traces may fufill the criteria of surface superconductors as described by Ken Whitesides in Omni magazine- or are they technically radionic devices, or both?
Or, perhaps ancient pagans utilized the well known electrical affinities of "weather charm" woods to help establish these effects, properties that may have once made "witche's brooms" a reality, to achieve electrochemical effects...
The Celtic "thunderer", largely associated with the electrical lightning God, Jupiter or Zeus. While the object he holds in his right hand is given to various interpretations, it's probably a hypersymbol that attempts to communicate most or all of such meanings. Amongst them are reference to the Egyptian torsion press, and various phenomenon of precipitation related to vortex phenomena. Very similar are the worm-associations of Artemis and her "-disposer-" and "-water-" epithets, reflecting such concerns as inlcude the spiralling, evaporating dew associable with Postvorta and Antevorta, whose names contain the "vortex" root.
The use of the wheel in this instance may reflect something of understated significance. It may symbolize for us the cyclic progression of nature, the seasons, and so forth, but just as the Egyptians and others may have taken incredible pains use markers of the earth's precession to indicate the importance of the precession of atoms and all of the miracle magick that may go with it, the wheel and the cycles of seasons may be called upon to communicate another phenomena of considerable importance, the process of phase transitions, which may be a critical common denominator in magickal feats, including the spontaneous acquisition, seperation, and purification of water.
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