This tale of tragedy, written in 1895, gives us a world so real, you hang on every twist and turn in the plot. Tolstoy presents a view of Russian aristocracy and peasantry in diametric conflict. As in Anna Karenina, the story is told from the omnipotent viewpoint, i.e. the author gets into the minds and personalities of the two principal characters, via mental ruminations and dialogue.
Our protagonist is Vasili Andreevich Brekhunov.
Andreevich is a wealthy landowner and trader in real property and
livestock. He is out to close another
deal before his upper class rivals eclipse him. It’s the eve of the St. Nicholas feast in Orthodox Christian
Russia of the 1870s. Andreevich is a
greedy man, with designs on some land that is a few miles from his own
estate. It is winter and the weather is
cold, snowing and threatening to worsen.
Undeterred by the dangers, he is going to brave the deadly Russian winter
in a sledge drawn by a small horse and his trusted servant, Nikita to guide him. He sets off for a journey that should take a
few hours at most. And here is where a tale begins, that grips the reader's attention and never lets go.
All
of the elements of epic story telling are in place. Nature in her huge majesty is set against two men, a small horse,
a sledge, and human unbridled ambition.
That is the external theme, but the interior story examines the nature
of relations between a landowner and his obsequious servant underling. In this complex analysis we find the real
message Tolstoy seeks to impart. Nikita
is a laborer that for many years has been a lush. It has led him to such perdition, that his
own wife, no longer resides with him in the shanty shack, that serves as the
peasant living quarters on the Brekhunov estate.
He is hopelessly indebt to the sly, and exploitive Andreevich. His wages are paid to his wife and doled out
to him as needed. Of course, Andreevich
cheats him, and he knows that but with the engrained subservient mentality of a 19th century peasant, he accepts his luckless fate.
He has also sworn off drink since an embarrassing incident during the
last feast. He is a happy-go-lucky man
that is at peace in the natural world in which he lives. He loves the animals to which he attends and gladly takes all the
underhanded chicanery, his master, Andreevich deals him. Nikita is the perfect opposite of
Andreevich. Where Andreevich is
continually plotting to gain, Nikita is content to enjoy the small pleasures
of his downtrodden life. These two
so very different men are thrown together by Andreevich's desire to have more. The consequences of this union are revealing
about the notions of life each carries within. Soon
after setting off from Brekhunov’s estate for
the village of Goryachkin, they go astray and lose their bearings on the
dirt roads that are marked with high wooden stakes. At that time in Russia, there was nothing like a national highway
system. In fact, very few paved roads
existed even in urban areas. The only means travelers had to know where they
were heading during winter was with a primitive system of wooden stakes that
indicated the direction of the road. In
many areas the snowstorm, which is increasing as they go, has completely
covered these markers. They fall into
a quagmire of life-threatening proportions.
Tolstoy depicts the nature of human social relations from this point on. Andreevich is determined to continue with
the sojourn, though it may well kill him and Nikita. His avaricious desire won’t let him be out-traded. Nikita on the other hand, only seeks to
serve his master, though he knows it’s folly. Everything in his breeding, tells him to continue this trip is against reason. But, peasants aren't expected to reason, so he continues.
They travel from one village to another, seeking their goal:
Goryachkin. They are welcomed into the
home of a middle-class family, and are implored to wait out
the storm. Andreevich, however will
have none of it. They set off again, and
again they are lost. As this tale continues, Andreevich becomes more and more obsessive and Nikita is resigned to
death. I won’t describe anymore of this powerful tale. To do this would destroy a work of art. I leave it to the reader to discover what actually happens.
I will say, what Leo Tolstoy gives us, are two persons on opposites sides
of a human equation. The master is
power drunk and the man is will lacking, accepting his fate, within the will of his master. Neither can control themselves and both are destroying themselves. What is Tolstoy saying in this story? Was he beckoning us to question our outlook on life's drama? Was he trying to bring forth deep emotions; sympathy or scorn for oppression and avarice, or tender care for both characters? This is why Man and Master is such great fiction. The reader is left to make their own conclusions about the meaning of this story.
In this tale, you can feel the wind blowing against your face as it does to the characters. You can imagine the smell of the forest, and the bone-chilling cold of the night in a vast wilderness. The fear of death by freezing, you feel, as Nikita stumbles and slides in the snow, you do too. The increasing sense of desperation Nikita and Andreevich sense, you feel as you follow them into ever greater danger. Tolstoy uses his descriptive powers to bring this environment and persons alive to the reader. As I finished this story I had a sense of having been in that place. I announced to myself in my empty livingroom: why hasn't anybody made this into a film? I still don't know, do you?
footnote As a final comment, I must say there are no more Tolstoys today. There are no writers with the ability to make the reader envelop themselves in the story as he did. This doesn't mean, there won't be anymore like him. It just means, today's fiction is not up to the level of what the Russian writers did in the 19th century. The realistic style of 19th century Russians writers, like Doestoevsky, Pushkin, Gogol and Tolstoy are no more. Of course there are moderns like King, Creighton, Meltzer and others, but their tales never seem to me to ever equal work like this.
Ken Wais 10/11/2002
Speaking of film here is an article about the art of film making