James "Munky" Shaffer : guitars
Brian "Head" Welch : guitars
Fieldy : bass
Jonathan Davis : vocals, bagpipes
David Silveria : drums, percussion
Out of the small town of Bakersfield, California, in the early nineties, came a
sound. A faint whisper at first, it grew in force and intensity with time,
unhindered by the yapping mouths of politicians and parents alike. It rang in their
ears. It plagued their minds. It genuinely terrified them. The voice, talking in
low-tuned rhythmic tones, spoke for a generation that would have no more of
modern America and its leaders. A generation fed-up with lies, violence and
greed from their own society. It grew and grew as more and more people
realized the veracity of its claims, and adhered to its cause. The politicians grew
fearful, and attempted to end its spread by censoring and denouncing. Little did
they know that, six years later, that small whisper would grow into a deafening
scream, a disturbingly present reminder of its own existence, and of its legions of
followers...
KoRn have revolutionized heavy music as we know it (or used to know it), by injecting
several different musical influences into traditional rock, from hip-hop and rap, to 70's funk
music. This strange blend gives KoRn a sound of its own. The different styles involved do,
theoretically, contradict themselves, but bound together by KoRn's musical savoir-faire, give
the songs such atmosphere that the show-goers cannot simply sit in their seats and say
"Hmmm... nice." They feel the urge to jump in the mosh pit and enjoy the music at its core,
letting all of their energy flow with the tonal explosion that KoRn puts out for them. This is
how KoRn wins fans with steady, unrelenting touring, giving the fans the full experience and
thus winning them for life. This strategy has given KoRn a much longer life span than the
passing fad. And it shows no sign of stopping.
Debuting strongly with their first, self-titled album, KoRn introduced itself bluntly to the
world, featuring lightning-fast drum arrangements by David, frightening, Halloween-like guitar
riffs by guitarists Munky and Head, impressive hammer-style bass lines by Fieldy, and
authentically emotional vocals by Jonathan. The largely autobiographical songs written by
Jonathan depicted a childhood lost, and were sung with such fierce emotion and energy, that
he won instant compassion by fans everywhere.
The way KoRn achieve their peculiar sound is very different from other bands. The first major
difference is the use of seven-string guitars by Head and Munky. The extra string gives the
guitar a much lower tonality, allowing KoRn's guitarists a wider range of chords to execute.
Not to be dominated by conformity, Head and Munky also tune their guitars in a way very
different than most rock guitarists. This gives KoRn's guitar riffs a distinct feel, an almost
eerie blend of hard-biting low tones and shrilling high tones. The frequent use of the Minor
second, Tritone and Major seventh chords, the three intervals that most disturb the human
ear, complete KoRn's guitar individuality. Fieldy's bass setup also differs from most bands.
Using a five string bass tuned down to a rumbly low A D G C F, and employing a unique and
amazing hammer-style/damping technique, Fieldy gives the KoRn bass lines a very rhythmic,
almost percussion-like personality. It is by differing from the sludge of average bands that
KoRn has gained success.
KoRn's first album went double platinum. From the hard, heart-pumping sounds of "Ball
Tongue," to the slow, devastatingly emotional "Daddy," fans were mesmerized by the
plethora of music and sentiments presented before them. Also featured in this album was
KoRn's show-opening song "Blind," the irreverent "Shoots and Ladders", the mind numbingly
fast "Divine" and the universally appealing "Need To." The whole album, in fact, was a
metaphor for childhood, from the picture of a young girl on the cover, to the child's writing on
the inside of the booklet, and the mocking misspelling of "corn" with a K and a reversed R. It
became readily apparent to fans that what Jonathan had to say was not the usual "Oh, my
girlfriend left me..." insincere vocals projected by most bands. Instead, there were the
disconcertingly true tales of a man whose life was ruined by past events. The emotional ties
thus formed between KoRn and their fans were total. KoRn did not, however, let this early
success go to their heads, realizing that fans are the livelihood of a band. They continued
touring massively, steadily earning a name in the underground rock scene.
In 1996, KoRn ventured out with their second double platinum outing, Life is Peachy, which
showed no signs of faltering quality. From the insanely bizarre "Twist" to the groovy "Good
God." KoRn had not failed in their mission to bring their fans great music to enjoy, surpassing
their original level of quality.
1998 was a very busy year for KoRn. While spending time perfecting their third album Follow
The Leader, KoRn also worked on several other projects, including their own rock festival,
The Family Values Tour, their own record label, Elementree Records, and a weekly Internet
program called "KoRn T.V."
In making Follow The Leader, KoRn took their time to ensure that this album would benefit
from the success of both previous albums, giving Follow The Leader a crisp, higher quality
new sound. This album also incorporated various guest artists from Fred Durst of Limp Bizkit
and Ice Cube, to Trevant Hardson of Pharcyde and Cheech Marin. Needless to say, Follow
The Leader was a smash hit. The album reached triple platinum status, the single "Got The
Life" continuously played on the radio, while the "Freak on a Leash" music video went on to
win two awards at the 1999 MTV Music Video Awards. The men from KoRn had accomplished
the journey from anonymity to megastardom, and while some bands might have felt the urge
to give in and "sell out", KoRn maintained their integrity, both moral and musical, and now, in
1999, are ready to unleash their biggest album yet to an ocean of thirsty fans.
At the time of this writing, not much is known of KoRn's new album Issues. The members
have maintained a tight lid on their new project. However, for those lucky enough to attend
this year's Woodstock, KoRn indulged their fans by performing two songs from their new
album. What is there to say about the new songs? Everything is done right. It is a
personification of KoRn's evolution, and to the trained KoRn fan's ear, one can hear all of
KoRn's different musical stages. Accessible to those new to KoRn, but also, hopefully, deep
enough to satisfy those of us who have been there from the start, Issues should be one of
those truly memorable albums, which fans will be listening to for years to come.
And so the voice rolls on, now a deep, low laugh. For those who understand its complex
jargon, it seems to say, with fearless ranting and steadfast determination: "WHO THEN NOW?"
[bio courtesy of Jeffrey Yates]
DISCOGRAPHY
KoRn
Immortal/Epic, 1994
Life is Peachy
Immortal/Epic, 1996
Follow the Leader
Immortal/Epic, 1998
Issues
Immortal/Epic, 1999
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